Miranda. Newspaper editorial for the digital age.

A vintage broadsheet portfolio rendered on warm parchment stock. Near-black ink dominates text, borders, and large editorial banners; the cream canvas stays quiet and matte, never clinical. Display type is the brand: enormous custom serifs (Canopee, Germgoth) with negative tracking and sub-1.0 line-heights so letters collide and bleed into one another, mimicking woodblock print and 19th-century poster lettering. One warm ember-orange accent appears sparingly — a stamp, a star icon — like a hand-stamped seal. Components stay flat and borderless; depth comes from contrast, not shadow. Layout reads like a zine or newspaper spread: oversized headline banners intercut with tight three-column project grids and full-bleed illustrations.