Ingmar Coenen. A 295px geometric letterform pressed against a vast white wall, with tiny serif footnotes and pill-shaped navigation floating below.

Ingmar Coenen's portfolio operates as an editorial gallery wall: a single colossal Megazoid wordmark dominates the top of the page like a magazine masthead, then the system retreats into ruthless white-space and tiny Swiss-type UI. The entire color palette is binary — pure black on pure white with one warm stone-gray for ghost controls — because the work itself is supposed to carry the color. Typography is the brand: a 295px geometric display face (Megazoid) for monumental headings, ITC Garamond Light Condensed for reflective serif body copy, and Neue Haas Unica Pro at 12-13px with negative tracking for all interface chrome. Components are minimal and rounded — 100px pill buttons, 12px cards — creating a tension between the heavy display voice and the soft, almost cartoonish corner radii. Density is compact at the UI level (4-14px gaps) but generous in layout (80-120px section breathing room).