Iad-lab. Art-school exhibition on charcoal.

Iad-lab operates as a digital exhibition wall rather than a conventional website: a near-black canvas interrupted by full-bleed photographic panels and two colossal display words that bleed past the viewport edges. The palette is essentially binary — off-white on charcoal — with zero chromatic decoration, letting the photography carry all emotional and visual weight. Navigation is reduced to three floating dots on the right margin; there is no header bar, no menu, no buttons. Typography does the structural work: a single grotesk family at restrained sizes handles all UI copy while an enormous, rounded display face delivers program titles at architectural scale. The rhythm is gallery-like: wide quiet sections, then sudden full-bleed visual ruptures, then quiet again.