Peggy. The only color comes from the work on the walls.

Peggy operates as a curated white-cube gallery translated to the web: an entirely monochrome interface that treats color as something the artwork supplies, not the chrome. The page is anchored by Reckless, a contemporary serif used at whisper weight (300) for display and regular weight (400) for mid-tier headings — this single typographic decision is what separates Peggy from the sea of geometric-sans art marketplaces. Inter handles all UI chrome at 12-16px, Monument Grotesk micro-caps label the footer's category architecture. Surfaces are flat and almost invisible: #f4f4f4 canvas, #ffffff cards, hairline #f4f4f4 borders, with one dark surface (#141414) reserved for the app-download notification strip and the primary CTA. There is no brand color, no gradient, no decorative elevation — the system earns its atmosphere through generous negative space, squareness (no rounded corners except pill-masked photography), and the trust that real art and real type are enough.