Little Amps. Vinyl record sleeve in afternoon sun.

Primary text, icons, card borders, nav, footer, input fields — the structural dark that holds every screen together, warm rather than black to stay on-brand with roasted coffee

Filled action buttons, active links, key highlights, badge fills — the single vivid accent that makes interactive elements feel switched on against the cream canvas

Secondary accent for emphasized text, hover states, and warm callouts — a slightly darker orange that pairs with Burnt Orange for tonal depth

Soft highlight backgrounds, tag fills, and decorative washes — used sparingly to add warm sunlight moments inside otherwise neutral layouts

Cool counter-accent for secondary buttons, link backgrounds, and color variety — the only blue in the system, it reads as a quiet companion to the warm palette

Muted body text, helper text, low-emphasis copy — warm brown-gray that fades into the cream without disappearing

Muted card backgrounds, soft surface fills, disabled surface states — a warm gray-taupe for low-emphasis panels

Hairline dividers, card borders, nav separators, subtle structural lines — the only border color most components need

Card backgrounds, section surfaces, image borders, body borders — one step deeper than canvas, creates gentle layered surfaces without elevation

Page canvas, card surfaces, button fills, input backgrounds — the base layer of every screen, warm off-white that replaces pure white