Art In DUMBO. Gallery broadside on raw paper.

Art In DUMBO reads like a broadside poster pinned to a white-cube gallery wall: one weight of Helvetica at every size, black ink on raw paper, and a single sage-green accent that punctuates action and status like a curator's sticker. The system is unapologetically editorial — full-bleed documentary photography carries the atmosphere while the type system stays calm, dense, and confident at every breakpoint. Surfaces are almost entirely white or warm off-white; structure comes from hairline black rules, never from shadows or colored panels. Components are few and stocky: pill buttons with 50px radii sit next to sharp 2px-radius inputs, creating deliberate radius contrast. Color is rationed — sage green for the only real CTA, warm orange for urgency tags, and otherwise a pure black-to-warm-gray ramp.